Sir Paul McCartney’s latest album, New, lands Tuesday. Backed by a Beatles-esque little ditty called New, which began receiving airplay late last month, the CD is highly anticipated by McCartney fans and Beatlemaniacs alike.This got us to thinking about solo records released by legendary rock icons, from McCartney’s post-Beatles breakup McCartney (1970) to Peter Frampton’s ubiquitous Frampton Comes Alive! (1976) to Peter Gabriel’s radio-friendly So (1986).Here are 10 more noteworthy examples (in alphabetical order) of famous rock stars gone solo: Roger Daltrey, Daltrey (1973)Roger Daltrey, frontman for the Who, hardly wrote any songs for the band — those duties were primarily the purview of guitarist Pete Townshend and bassist John Entwistle — so you might think he’d want to put pen to paper when carving out a sideline career as a solo artist. Not so much.Daltrey co-wrote a few tunes on his solo records but largely left those duties to others, including a young Leo Sayer, who co-wrote (with David Courtney) eight of the 10 tunes on Daltrey’s first solo LP, the self-titled Daltrey. Even so, Daltrey’s singing was so passionate, so convincingly from the heart, that he made the songs, such as the emotionally charged Giving It All Away, his own. Mick Jagger, She’s the Boss (1985)By 1984, when Rolling Stones frontman Mick Jagger began recording his first solo LP, She’s the Boss, the band had been together for more than two decades. Predictably enough, things weren’t 100 percent rosy. Guitarist Keith Richards wanted Jagger to focus on the Stones instead of his solo career, and the two were at odds over the future direction of the group: Richards wanted to stay true to their blues/rock roots, while Jagger was looking to go in a more pop-oriented direction.Jagger’s pop sensibilities are at the forefront of She’s the Boss, which features such danceable tunes as Just Another Night and Lucky in Love, both of which were Top 40 hits. John Lennon, John Lennon/Plastic Ono Band (1970)Ranked No. 22 in a special “The 500 Greatest Albums of All Time” issue of Rolling Stone magazine (2003), John Lennon/Plastic Ono Band was Lennon’s first real solo effort. (His trio of experimental works with Yoko Ono are widely dismissed.) Lennon, inspired by months of primal scream therapy with Dr. Arthur Janov, bears his soul for all to see on this record, agonizing over parental abandonment in Mother and proclaiming his disbelief in Jesus, Hitler and the Beatles in God. Yoko Ono/Plastic Ono Band was released to far less acclaim on the same day with a nearly identical cover: John and Yoko resting against a large tree. Stevie Nicks, Bella Donna (1981)Enchantress Steve Nicks cast her magical spell on a number of great Fleetwood Mac songs, such as Landslide and Gold Dust Woman, but she’s a terrific solo artist as well. Her best record away from the band remains her first, Bella Donna, which contains 10 strong tracks — there’s not a dud in the bunch. Everyone has heard the definitive Edge of Seventeen and the duets Stop Draggin’ My Heart Around (with Tom Petty) and Leather and Lace (with Don Henley), but songs like the catchy Think About It and the beautiful The Highwayman deserve a wide audience as well.You can watch recording sessions from Bella Donna on the DVD included with Crystal Visions — The Very Best of Stevie Nicks (2007), a compilation album. Ozzy Osbourne, Blizzard of Ozz (1980)In October 1984, Suicide Solution, the fifth track on Blizzard of Ozz, made headlines when a teenager named John McCollum shot himself after allegedly listening to the song. His parents sued CBS Records and Osbourne, but the case was dismissed thanks to free speech protection under the First Amendment.What Blizzard of Ozz is less egregiously known for is marking Ozzy’s debut as a solo artist in the wake of his departure from Black Sabbath. Complementing Osbourne’s wailing vocals are the virtuoso stylings of guitar god Randy Rhoads, whose blistering fretwork and classical influence help make such melodic tunes as Mr. Crowley and the arena-rocking hit Crazy Train timeless cornerstones of ’80s metal. Robert Plant, The Principle of Moments (1983)Led Zeppelin, one of the greatest rock bands in the history of the world, called it quits after the death of drummer John Bonham, who, on Sept. 25, 1980, choked on his own vomit after a day and night of heavy drinking.Frontman Robert Plant’s post-Zeppelin career included, among other projects, the formation of the Honeydrippers (with Zeppelin alumnus Jimmy Page on lead guitar), a two-year stint with Alison Krauss and the release of several solo albums, including The Principle of Moments, which featured the hits Other Arms, In the Mood and Big Log. The last of those is an epic, Zeppelin-style tune given new life in the recently released video game Grand Theft Auto V. Gene Simmons, Gene Simmons (1978)In 1977, a Gallup poll named KISS the most popular band in America. The fiery (and in Gene’s case, fire-breathing) foursome, riding the wave of four consecutive platinum records, was on top of the world, though egos were beginning to clash. On Sept. 18, 1978, with tensions running high, Ace, Gene, Paul and Peter each released a solo album.Featuring contributions from such celebrities as then-girlfriend Cher (backup vocals) and Aerosmith’s Joe Perry (guitar), Simmons’ LP was the most eclectic of the bunch, giving listeners the rocking Radioactive, the Beatles-influenced See You Tonite and a confounding, off-key cover of Disney’s When You Wish Upon a Star. Even Son of Anarchy’s Katey Sagal, nearly a decade before Married... With Children, lent her pipes to this oddly entertaining record. Sting, The Dream of the Blue Turtles (1985)Born Gordon Matthew Thomas Sumner, Sting co-founded, played bass for and fronted the Police, the new wave rock band that belted out such Grammy Award-winning hits as Don’t Stand So Close to Me and Every Breath You Take. During a gig at Shea Stadium in 1983, Sting figured the band had peaked and decided to strike out on his own, releasing the cool- and smooth-jazz influenced The Dream of the Blue Turtles in 1985.Although it alienated certain fans of the Police’s edgier work, The Dream of the Blue Turtles had four singles in the top 20 of the U.S. Hot 100 charts: If You Love Somebody Set Them Free, Fortress Around Your Heart, Russians and Love Is the Seventh Wave. Eddie Vedder, Into the Wild (2007)Unlike many of his peers, Pearl Jam frontman Eddie Vedder doesn’t have much of a solo career (not that he needs one), having created just two albums: 2011’s Ukulele Songs, which is about what you’d expect from such a title; and 2007’s Into the Wild, which is the soundtrack to the Sean Penn-directed feature film of the same name. The movie, based on the nonfiction book by Jon Krakauer, tells the tale of hiker and survivalist Christopher McCandless, who died in the Alaskan wilderness in 1992.Indulging his taste for “raggedy roots music that’s longer on back-porch atmospherics than on fist-pumping choruses” (Mikael Wood of thephoenix.com), Vedder eschewed Pearl Jam-style grunge in favor of a more folksy sound. Neil Young, After the Gold Rush (1970)After the folk rock quartet Crosby, Stills, Nash & Young released the chart-topping Déjà Vu in March 1970, each member of the band produced a solo record. Neil Young’s was After the Gold Rush, his third studio album and one of his best. Along with such fine country folk tunes as Tell Me Why and Only Love Can Break Your Heart, the disc contains Southern Man, a polemic against racism and slavery in the American South (Lynyrd Skynyrd wrote Sweet Home Alabama in response).Curiously, After the Gold Rush was inspired in part by a screenplay written by Herb Berman and actor Dean Stockwell (Quantum Leap, Battlestar Galactica) for an unmade film of the same name.